Department of Italian

Modern & Medieval Languages

Department of Italian

Current PhD Students

  • Ambrogio Camozzi Pistoja
    Dante and the Tradition of Alexander the Great
    ac654@cam.ac.uk
  • Giulia Cantarini
    Comedy in British and Italian Film of the 1950s-1970s
    gc413@cam.ac.uk
  • George Corbett
    Dante's Moral Philosophy
    gpc29@cam.ac.uk
  • Alessandra Diazzi
    A psychoanalytic history of post second World War Italian literature
    ad608@cam.ac.uk
  • Natalie Fullwood
    Space and gender in commedia all'italiana, 1958-1970
    nlf23@cam.ac.uk
  • Alberto Papapietro
    The establishment of the tradition of lettere familiari from Petrarch to the Council of Trent
    ap722@cam.ac.uk
  • Claudia Peverini-Benson
    Subject-Verb (non)-Agreement: Syntactic Evidence from Marchigiano
    cp306@cam.ac.uk
  • Bea Priest
    Fecundity in Dante and the contemporary visual arts
    bp257@cam.ac.uk
  • Alessia Ronchetti
    Textual Spaces. Authority and the Place of Women in Boccaccio's and Chaucer's Works
    ar330@cam.ac.uk
  • Norma Schifano
    Verb-movement: a pan-Romance investigation
    ns513@cam.ac.uk
  • Claudia Tardelli
    Francesco da Buti's commentary on Dante's "Commedia". New critical edition
    ct379@cam.ac.uk
  • Cameron Taylor
    Complementation in the Dialects of Southern Italy
    clt48@cam.ac.uk
  • Lucia Yandoli
    Ecstasy and Blasphemy in Italian Cinema 1958-1974
    lry21@cam.ac.uk

Recently-approved theses

  • Anne Leone, approved January 2011
    Dante and Blood
    al419@cam.ac.uk
  • Catherine Baxter, approved January 2011
    Language and Sex in Boccaccio's Decameron: Galeotto fu la metafora
    cb430@cam.ac.uk
  • Fabrizio De Donno, approved October 2010
    Italian Orientalism
    fd231@cam.ac.uk
  • Heather Harrison, approved May 2010
    Gender and Authorship in Boccacio's Decameron
    hh282@cam.ac.uk
  • Katie Rees, approved February 2010
    Women writers for the theatre in Renaissance Italy
    kr249@cam.ac.uk
  • Ella Ide, approved February 2010
    Masculinity in Italian Cinema, 1990-present
    evi20@cam.ac.uk
  • Daniella Rossi, approved January 2010
    Renaissance culture: writings of religious and secular women
    djr51@cam.ac.uk
  • Katherine Wallington, approved January 2010
    '...Memorie lasciateci da lui': Self-presentation, Influence and Legacy in the Autobiographical Writing of Carlo Goldoni and Lorenzo Da Ponte.
    ktw22@cam.ac.uk
  • Eleonora Carinci, approved November 2009
    'Lives of the Virgin Mary' by women writers in Post-Tridentine Italy.
    ec328@cam.ac.uk
  • Alex Macmillan, approved January 2009
    Dante's nineteenth-century reception
    am535@cam.ac.uk
  • Laurence Hooper, approved January 2009
    Languages of Exile in Dante and Pasolini
    leh23@cam.ac.uk
  • Silvio Cruschina, approved January 2009
    Discourse-related features and the syntax of peripheral positions. A comparative study of Sicilian and other Romance languages
    sc481@cam.ac.uk
  • Edward M. Anderson, approved October 2008
    Of Ariosto's legacy in seventeenth-century Italian musical drama
    ema27@cam.ac.uk
  • Nicola Jones, approved July 2008
    The Lure of the Short Courtly Tale in Later Medieval France and Italy
    nkj22@cam.ac.uk
  • Meg Greenberg, approved May 2008
    Futurism and Science: Refractions of Scientific Knowledge in the Work of Filippo Tommaso Marinetti
    mg365@cam.ac.uk
  • Alan O'Leary, approved January 2008
    Representations of Italian post-war terrorism
    ao234@cam.ac.uk

 

 

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